|
How is it that one day life is orderly and you are content, a little cynical perhaps but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance there is no preparation.
from The Passion by Jeanette Winterson
|
|
|
It seems to me that man is equal to the gods, that is, whoever sits opposite you and, drawing nearer, savours, as you speak, the sweetness of your voice
and the thrill of our laugh, which have so stirred the heart in my own breast, that whenever I catch sight of you, even if for a moment, then my voice deserts me
and my tongue is struck silent, a delicate fire suddenly races underneath my skin, my eyes see nothing, my ears whistle like the whirling of a top
and sweat pours down me and a trembling creeps over my whole body, I am greener than grass, at such times, I seem to be no more than a step away from death;
by Sappho (c. mid 7th century B.C.)
|
|
|
|
And at times love becomes so boundless and so overflowing in the soul, when it itself is so
mightily and violently moved in the heart, that it seems to the soul that the heart is wounded again and again,
and that these wounds increase every day in bitter pain and in fresh intensity. It seems to the soul that the
veins are bursting, the blood spilling, the marrow withering, the bones softening, the heart burning, the throat
parching, so that the body in its every part feels this inward heat and this is the fever of love. Sometimes the
soul feels that the whole body is transfixed, and it is as if every sense would fail; which it can master, love
seems to be working violently in the soul, relentless, uncontrollably, drawing everything into it and devouring
it.
 All this torments and afflicts the soul, and the heart grows sick and the powers dwindle; yet it is so
that the soul is fed and love is fostered and the spirit is subjected to love.
For love is exalted so high
above the soul's comprehension, above all that the soul can do or suffer, that even though at such times it may
long to break the bond that unites it to love, so conquered by the boundlessness of love, that it cannot rule
itself by reason, cannot reason through understanding, cannot spare itself this weariness, cannot hold fast to
human wisdom.
For the more there is given from above to the soul, the more is demanded of it: the
more is revealed to the soul, the more it is filled with longing to come close to the light of that truth, that purity,
that excellence and that delight which are love's attributes. Always the soul will be driven and goaded on, never
will it be satisfied and at rest. For what most afflicts and torments the soul is that which most heals and
assuages it, what gives the soul its deepest wounds brings to it best relief.
from There
are Seven Manners of Loving (c. 1230-68)
by Beatrijs of Nazareth
|
|
|
my
love is building a building around you,a frail slippery house,a strong frail house (beginning at the
singular beginning
of your smile)a skilful uncouth prison,a precise clumsy prison(building
thatandthis into Thus, Around the reckless magic of your mouth)
my love is building a magic, a
discrete tower of magic and(as i guess)
when Farmer Death(whom fairies
hate)shall
crumble the mouth-flower fleet He'll not my tower,
laborious,casual
where the surrounding smile
hangs
breathless
e.e. cummings
|
|
|
|
I wake up in your bed. I know I
have been dreaming. Much earlier, the alarm broke us from each other, you've been at your desk for
hours. I know what I dreamed: our friend the poet comes into my room where I've been writing for
days, drafts, carbons, poems are scattered everywhere, and I want to show her one poem which is
the poem of my life. But I hesitate, and wake. You've kissed my hair to wake me. I dreamed you
were a poem, I say, a poem I wanted to show someone and I laugh and fall dreaming
again of the desire to show you to everyone I love, to move openly together in the pull of gravity,
which is not simple, which carries the feathered grass a long way down the upbreathing air.
by Adrienne Rich
|
|
|
your homecoming will be my homecoming-
my
selves go with you,only i remain; a shadow phantom effigy or seeming (an almost someone always
who's noone)
a noone who,till their and your returning, spends the forever of his
loneliness dreaming their eyes have opened to your morning
feeling their stars have risen through
your skies:
so,in how merciful love's own name,linger no more than selfless i can quite
endure the absence of that moment when a stranger takes in his arms my very life who's
your
-when all fears hopes beliefs doubts disappear. Everywhere and joy's perfect wholeness
we're
by e.e. cummings
|
|
|
|
one's not half two. It's two are halves of one: which halves
reintegrating,shall occur no death and any quantity;but than all numerable mosts the actual
more
minds ignorant of stern miraculous this every truth - beware of heartless them (given the
scalpel,they dissect a kiss; or,sold the reason,they undream a dream)
one is the song which fiends
and angels sing: all murdering lies by mortals told make two. Let liars wilt, repaying life they're
loaned; we(by a gift called dying born)must grow
deep in dark least ourselves remembering love
only rides his year. All lose,whole fine
e.e.
cummings
|
|
|
"Go and look again at the roses. You will understand now that
yours is unique in all the world. Then come back to say goodbye to me, and I will make you a present of a
secret."
The little prince went away, to look again at the roses.
"You are not at all like my
rose," he said, "As yet you are nothing. No one has tamed you, and you have tamed no one. You are like my
fox when I first knew him. He was only a fox like a hundred thousand other foxes. But I have made him my
friend, and now he is unique in all the world."

And the roses were very much embarrassed.
"You are beautiful but you are empty," he went on. "One could not die for you. To be sure, an ordinary
passerby would think that my rose looked just like you-the rose that belongs to me. But in herself alone she is
more important than all the hundreds of you other roses: because it is she that I have watered; because it is
she that I have put under the glass globe; because it is she that I have sheltered behind the screen; because it
is for her that I have killed the caterpillars (except the two or three that we saved to become butterflies);
because it is she that I have listened to, when she grumbled, or boasted, or even sometimes when she said
nothing. Because she is my rose."
And he went back to meet the fox.
"Goodbye,"
he said. "Goodbye," said the fox. "And now here is my secret, a very simple secret: It is only with the
heart that one can see rightly; what is essential is invisible to the eye." "What is essential is invisible to
the eye," the little prince repeated, so that he would be sure to remember. "It is the time you have
wasted for your rose that makes your rose so important." "It is the time I have wasted for my rose--" said
the little prince, so that he would be sure to remember. "Men have forgotten this truth," said the fox.
"But you must not forget it. You become responsible, forever, for what you have tamed. You are responsible
for your rose..." "I am responsible for my rose," the little prince repeated, so that he would be sure to
remember.
from The Little Prince by Antoine de St.
Exupery
|
|